References:

Redfern, C. (2018). Whang-Od: The Last Tatto Artist. Retrieved from https://ph.asiatatler.com/life/whang-od-the-last-tattoo-artist

 

Crowned, S. (2018). Kalinga Tattoo Meanings: Buscalan Travel Guide to Apo Whang-Od. Retrieved from http://followyouroad.com/kalinga-tattoo/

 

The Paris View. (2018). The Last Tattooed Women of Kalinga. Retrieved from https://www.theparisreview.org/blog/2018/03/09/the-last-tattooed-women-of-kalinga/

 

Bramhall, D. (2016). Exploring Kalinga Culture, Tattoo Artistry, Tribal Traditions. Retrieved from https://www.theparisreview.org/blog/2018/03/09/the-last-tattooed-women-of-kalinga/

 

Amores, A. (2017). Tattoos in the Cordillera. Retrieved from https://newsinfo.inquirer.net/941295/batok-tattooing-tattooing-mambabatok?utm_expid=.XqNwTug2W6nwDVUSgFJXed.1

 

BEEZZ. (2014). Ancient Tattoing in Kalinga: More Than Just Skin Art. Retrieved from https://triptheislands.com/travel-news/ancient-tattooing-in-kalinga-more-than-just-skin-art/

 

Hutton, B. (2018). The Last Tattooed Women of the Philippines’ Kalinga Tribe. Retrieved from http://www.anothermag.com/art-photography/10962/the-last-tattooed-women-of-the-philippines-kalinga-tribe

 

Pinay Traveller. (n.d). The Tattooed Women of Kalinga. Retrieved from https://pinaytraveller.com/archives/11860

 

Mojarro, J. (2017). Why I Can’t Understand About the Whang-Od Controversy. Rettrieved from https://www.rappler.com/views/imho/186195-understand-tattoo-controversy-whang-od-manila-fame